Archive for May, 2009

An author and her inspirations

Former students, colleagues, and friends gathered recently for a book signing event to celebrate Johanna Riddle’s book, Engaging the Eye Generation: Visual Literacy Strategies for the K-5 Classroom.
Johanna with two of her former students, Jessie, who appears in page 72 of her book, and Cassie, who is on page 104.

Johanna with two of her former students: Jessie, who appears in page 72 of her book, and Cassie, who is on page 104.

For the event, Johanna created name tags for all of her former students whose work or words appear in her book. The name tags included the page where the students appear in the book.

“There were quite a few students present whom I’d not seen since they completed fifth grade at Samsula Elementary,” said Johanna after the event.  “It meant the world to me to have them there.”

Add comment May 11th, 2009

Poetry Friday: Mama

It is Mother’s Day on this Sunday, so this week’s poem is called “Mama” from the Hungarian poet Attila Jozsef. Some of poem is lost in translation, but it’s still a nice read.

Mama
Attila Jozsef

On Mama now my thoughts have dawdled
all of a week. Clothes-basket cradled
creaked on her hip; she’d climb the stairway
up to the drying-attic’s airway.

Then, for I was an honest fellow,
how I would shriek and stamp and bellow!
That swollen laundry needs no mother.
Take me, and leave it to another.

But still she drudged so quietly,
nor scolded me nor looked upon me,
and the hung clothes would glow and billow
high up above, with swoop and wallow.

It’s too late now to still my bother;
what a giant was my mother -
over the sky her grey hair flutters,
her bluing tints the heaven’s waters.

Add comment May 8th, 2009

Quick Tip Tuesday: Finding the main idea

In their recent book Test Talk: Integrating Test Preparation into Reading Workshop, Amy Greene and Glennon Doyle Melton show teachers ways to empower students and raise test scores without compromising their beliefs about good teaching and learning. They demonstrate how to imporive performance on tests without responding to “teaching to the test” pressures. In this week’s Quick Tip, Glennon shows how she conducts a unit on finding the main idea of a story, while also preparing her students for the language they will find in their standardized test.

Beginning a Unit About Main Idea
It’s mid-October in Glennon’s third-grade reading workshop. The class has just completed a unit of study about recounting the plot of a text. Today the students will begin a unit about finding the main idea in fiction.

The children are gathered at her feet, listening intently to their third Patricia Polacco book of the week, Thank You, Mr. Falker (1998). It is the story of a girl named Tricia who moves to a new school and struggles to learn to read. The students alternate between listening to Glennon read and reflecting on the text with a partner when she stops to ask discussion questions. After she is finished reading the text, Glennon draws a chart on the board and titles the first column Plot and the second column Themes/Main Ideas. She reminds the students that plot is the set of events that happen in a story or passage and can be found right in the text. She asks the students to recount the plot of Thank You, Mr. Falker to her, and she records the events in sequential order in the first column.

Glennon then turns her attention to the second column and connects students’ background knowledge to the new concept by saying, “Since you are experts about finding the plot of a text, today we are going to move ahead and start learning about another very important part of a text called the main idea or theme. The main ideas are the big ideas or lessons that the author wants us to think about and learn from his or her text. This is a really important skill to have because it helps us understand and enjoy our reading, and it is also a skill that the SOL will test you on at the end of the year. Let’s figure out how to find the main ideas together. Remember when we studied finding the plot of a story or a test passage? Can anyone think aloud with me about what you do when you have to find the plot of a passage, like on the SOL?”

B.J. raises his hand and says, “I just start at the beginning and try to think of everything that I read. It’s really easy.” “Finding the plot is pretty easy, isn’t it? To find the plot of a text, we simply recount the events that the author included in the text. But finding the main ideas is trickier because they are not usually written right in the text. We have to read and then use our schema with the text to infer the main ideas. We have to think about the characters and their feelings more.

“How do you think Tricia felt when her mom told her they were moving?” Ahmed raises his hand and says, “I think Tricia felt scared that her new class would make fun of her because she doesn’t know how to read.”

Glennon has modeled quality talk all year; she teaches her students to speak in complete sentences and support opinions with evidence from the text. The other students nod in agreement with Ahmed’s thought and Glennon records his comment in a notebook. Next, she rereads a passage in which a bully named Eric is teasing Tricia about her difficulty with reading. She pauses to say, “Turn to a partner and discuss your thoughts about the way Eric is behaving toward Tricia.” After the students have discussed, she rereads the last page of the book and says, “Talk to your partner one more time about what you think Patricia Polacco would want her readers to learn from this book.”

During each of the partner discussion times, Glennon circulates among her students and records their ideas in her notebook to be used during the next part of the lesson. Glennon directs the students back to the chart at the front of the room. She writes the word fear in the Main Ideas column and says, “Ahmed’s idea was that Tricia was afraid that her new class would laugh at her. Does anyone have a connection with that?” Glennon’s first unit of study this year was about becoming better readers by making connections to text.

Giselle responds, “I have a connection with that. I know how Tricia felt because I was scared when I came here from my country. I didn’t think anyone would speak my language.” Glennon writes “fear of being different” on the chart paper. “I heard Nancy tell her partner that Eric was jealous of Tricia because Mr. Falker seemed to like her drawing,” Glennon adds. She writes the word “jealousy” on the chart paper and asks, “Who can connect with jealousy?” “I felt jealous when my baby sister was born. I felt like my parents would forget about me,” says Rokshar. Other students show their connections to Rokshar’s comment by nodding.

Michael raises his hand. “I think it is cool that Tricia can’t read but can draw really well, and Eric can read but can’t draw well,” he says. Mark agrees. “Yeah, everyone has things they are good at and things that they need help with.” Glennon writes “strengths and weaknesses” on the chart paper.

Then Glennon asks, “What do you think Patricia Polacco wants us to know or learn about life from her book Thank You, Mr. Falker? What were the main ideas in the book? Use our list and the text-to-self connections you made while we read to help you.” Students partner-talk and then share ideas such as fear, family love, and learning not to give up. Glennon concludes by connecting their ideas and discussion to the test once again. At the bottom of the chart, she creates a multiple-choice question in the same format the SOL uses.

Which is NOT a main idea in Patricia Pollacco’s Thank You, Mr. Falker?
A fear
B jealousy
C strengths and weaknesses
D sportsmanship

Glennon encourages the students to use their test-taking strategies to navigate the question, and, after they have answered, she asks, “Why is it important to be able to find the main ideas in a text, beside the fact that it will be on our SOLS?” The class giggles and Bo Hyun raises her hand. “Because reading a story is sometimes like learning a lesson,” she says. “If you can’t find the main idea, you don’t get the lesson!”

Glennon reinforces his thinking. “That’s so smart! When readers read fiction and test takers read passages, they can’t just read the text. They have to use their schema and their hearts to decide what the author wanted them to learn or think about. Sometimes tests call this the main idea or theme. We’ll learn more about this tomorrow.”

Add comment May 5th, 2009

Poetry Friday: The Whale

“As in all other studies, before we can write poetry well, we must first read, study, and name what we notice about the poems we are reading each day,” writes Ann Marie Corgill in her book, Of Primary Importance: What’s Essential in Teaching Young Writers. One of the poems Ann Marie uses to help children notice that “sometimes poets put on a writing mask to pretend that they are another person, place, or thing,” is The Whale by Douglas Florian.

The Whale
Douglas Florian

Big as a street –
With fins, not feet —
I’m full of blubber,
With skin like rubber.
When I breathe out,
I spew
A spout.
I swim by the shore
And eat more and more.
I’m very, very hard to ignore.

Add comment May 1st, 2009

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